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What was likely the busiest New York Comic Con ever, this year’s highly anticipated fall extravaganza, once again, drew an energetic array of Graphic Universe authors, illustrators, agents, and fans to Big Apple’s Javits Center.

A frenetic scene at the Graphic Universe booth at the heart of Comic Con

All the way from Denmark, came Lars Jakobsen, creator of the greatly enjoyable GU series Mortensen’s Escapades. Lars’ talent was on full display Friday as he illustrated and signed images of his eponymous time traveling main character. He feverishly drew so many original vignettes in the hour that he could have probably completed a new volume.

Eager fans lining up for autographs from Mortensen’s Escapades author-illustator Lars Jakobsen (left) and Guinea PIG author Colleen AF Venable (right)

The next day, and perhaps the most frenetic of the weekend, saw two memorable GU signings. First, the prolific author Dan Jolley provided autographs for several of his recent titles—The Girl Who Owned a City and My Boyfriend is a Monster series. It was followed that afternoon by the Eisner-nominated dynamic duo of author-illustrator Colleen AF Venable and Stephanie Yue who captivated the crowd with their latest Guinea PIG title Raining Cats and Detectives.

Graphic Universe author Dan Jolley handing over a signed copy of his book (left); Little White Duck Illustrator Andrés Vera Martínez with Lindsay Matvick, Lerner Senior Publicist (right)

Sunday was designated “Kids Day’, which was a perfect fit for the Illustrator-author husband and wife team of Andrés Vera Martínez and Na Liu who showcased their starred reviewed book Little White Duck. Fitting because their delightful young daughter, Mei Lan, was there to sign books too. And I must say she demonstrated an early gift for the activity.

Kathleen Clarke, Lerner Trade Show Manager with Robyn Chapman, Graphic Universe Editorial Assistant (left picture); Convention goer chatting with Carol Burrell, Graphic Universe Editorial Director and GU author Dan Jolley (right)

In addition, Spanish agent and friend Eduardo Alpuente, who represents many GU contributors (illustrators, colorists, and letterists) overseas made several appearances at the GU booth. The most memorable one was when accompanied by a friend, Alberto, a master magician, who mesmerized us with an impromptu card trick.

A young Guinea PIG fan (left); One of thousands of eye catching costumes at Comic Con; and Lars Jakobsen posing as Mortensen (pictured right) with Kasper Bent Rasmussen, Assistant Cultural Officer of the Royal Danish Consulate General (left)

And, of course, the convention couldn’t have been carried out without the tireless efforts and well-honed skills of the Lerner staff, including Lerner VP, Director of Marketing Terri Souter, the very pregnant Senior Publicist Lindsay Matvick, Lerner Trade Show Manager Kathleen Clark, GU Editorial Director Carol Burrell, and GU Editorial Assistant Robyn Chapman.

 (above) A variety of fans gathered for autographs at the Graphic Universe booth

In an adjacent hall was “Artist Alley”, a venue where independent artists showcased their works.

Carol Burrell, Editorial Director, participating on a panel discussion (left); A quiet moment at the GU booth with The Little Prince display in foreground

Colleen and Stephanie sign some books

On April 17th our new series, Guinea Pig: Pet Shop Detective had its first official book signing event at Books of Wonder, New York City’s oldest and largest independent children’s bookstore. Our author and artist team, Colleen AF Venable and Stephanie Yue, shared a panel with Art Spiegelman of all people, creator of the Pulitzer Prize-winning and market-changing graphic novel Maus, as well as eight other comics creators including George O’Connor, Dean Haspiel, and Mike Cavallaro.

Books of Wonder is famous in New York for the dozens of events it hosts each year featuring local artists at its Chelsea location—and famous for the fabulous Cupcake Café, located right inside the shop and a million miles (figuratively) from Starbucks.

A lot of families were on hand to meet the the panel of comics artists and writers. It was awesome to see kids reading comics, but the large crowd made the artists and authors nervous. (Well, maybe Art Spiegelman wasn’t nervous.)

Colleen prepared a giant version of Guinea Pig #1: Hamster and Cheese to show off the first couple of pages. “When I get nervous, I do arts and crafts,” she explained before things got started.

The giant book worked; as soon as the crowd heard about Detective Sasspants and saw Stephanie‘s adorable art, they instantly turned into fans. The store sold out of the book immediately, and we sold all the copies we brought with us as well.

Guinea Pig, Hamster and Cheese

Guinea Pig, Hamster and Cheese

Continuing on with writer spotlights from last week’s look at Trina Robbins, this week I interviewed Colleen AF Venable, the author of our hilarious and cute new series Guinea Pig, Pet Shop Private Eye, with art by Stephanie Yue, who was in the spotlight in November.

Q. What was the first thing you were paid to write?

When I was little, I used to do my older sister’s essay homework in exchange for candy. When Graphic Universe first approached me with a book contract I was confused. “Wait. No Peanut M&M’s? What kind of a deal is this?!” Since then I’ve learned you can exchange that money stuff for candy at a lot of places. Phew!

Q. What’s your favorite genre to write in? What type of writing do like best—long, short, fiction, nonfiction?

My favorite genre is Silly. It’s like fiction only makes a lot less sense. I tend to write longer things, which I will now prove by rambling my way through the rest of this interview.

Q. Did you start off writing prose and switch to comics or vice versa?

What’s it like working with an artist? Have you ever been surprised how your artist(s) see your characters or world?

Actually, I guess my real start in the pro-writing world (as opposed to the amateur middle school ghost-writing world) was playwriting. In 2002 a play of mine called SID’S DREAM was produced Off-Off-(perhaps like four more Off’s in there)-Broadway. At the same time I started to get into webcomics, White Ninja and Dinosaur Comics being the first two that truly warped my brain. At some point—probably the night a blizzard left our “sold out” show with only two actual attending audience members—it hit me that writing comics is a lot like writing plays. It’s all about pacing and collaboration between dialogue and visuals. But unlike plays, comics live on forever, and it’s easier to share them with a wider audience. Also, you don’t need a lot of money or huge groups of people to make a comic. Just a pen and an idea or, better yet, a friend who wants to collaborate.

I always say that collaboration is my answer to the Meaning of Life question. Nothing in the world makes me happier! It’s amazing to see a panel I wrote that was moderately funny be transformed into something truly hysterical through someone else’s eyes.

As for being surprised by artists, I knew Stephanie’s work and had no doubts it was going to be cute, but nothing prepared me for how ridiculously adorable it wound up being. I am surprised I didn’t wind up in the hospital for cute overdose, huggina copy of Book 1 and rocking back and forth and repeating, “Hamsters! Like giant cottonballs with eyes!”

Perfectly ordinary author

Colleen AF Venable: Perfectly ordinary author

Q. Graphic Universe books are generally for kids; how do you get into the mindset of your audience?

7-10 year olds are the best! They are old enough to get sarcasm, puns, but aren’t afraid to laugh at the super absurd or slapstick. They don’t hold back their thoughts, and they aren’t worried about what others think of them. They are, quite simply, My People. I have yet to find many adults that are as fun to talk to as a group of upper elementary schoolers, though adults get some points because they generally keep their fingers out of their noses.

Q. Have your relatives bought copies of your books? Do your friends ask you to sign their copies?

I’m pretty sure my mom is planning on buying enough to build a giant fort.

My friends do make me sign them and it still feels so weird. Ever since I was little I wanted to be a writer when I grew up. Even with the book in my hands, I have trouble believing that’s my name on it. I am in the running for “world’s most illegible signature,” so when I autograph a book, other people also have trouble believing that’s my name on it.

Q. Have you ever written someone you know into a story? Perhaps at their insistence?

I have a friend who recently asked me to write his middle name into a story, since it has a lot of sentimental value for him and he knows how fond I am of odd middle names. Unfortunately, his middle name is so odd I don’t know if I can do it and make it believable. (And this is coming from someone who has a character named Detective Sasspants.)

Q. Do you write full time? If not, what else do you do for a living? Do you want to write full time?

I’m the designer for First Second Books, another graphic novel publisher. I love my job and I think, combined with writing at night, it balances the two sides of my brain.

Q. What other stuff have you written outside of Graphic Universe?

Lumberjack. Srsly.

Lumberjack. Srsly.

HAMSTER AND CHEESE is my first published book, but I’ve been making mini-comics for years. My personal favorite is LUMBERJACKS, A FIELD GUIDE: THE PAST, PRESENT, AND FUTURE OF LUMBERJACKARY. A few years back my friend Marianne Ways and I invented a holiday called Lumberjack Day. It was an excuse to eat pancakes with a giant group of friends every September 26. The holiday got bigger every year, and last year we decided to celebrate by making a book.

Marianne and I co-wrote a fake nonfiction guide to Lumberjacks that features art from over 25 cartoonists. It’s very educational, with stories about famous lumberjacks of the past such as Lumberjackson Pollack, quizzes to figure out if you may be a lumberjack, a guide for what to do if you are an eco-conscious lumberjack (aka “The Guide to Cutting Down Cutting Down”), and a glimpse into what the future of lumberjacks may be. Every handmade book came with a free fake beard.

Needless to say, we sold out of our entire first print run in two days.

NOTE TO PUBLISHERS WORRIED ABOUT BOOK INDUSTRY DYING: Have you thought about adopting the “free facial hair with purchase” policy? It really works!

Q. Which of your comic projects was your favorite to work on?

Guinea Pig Book 1 is fun, but I swear there are a few scenes in Book 2 that just may make it my Magnum Opus. Or at least my Hamster Opus.

Q. Do you listen to anything while you write? Lyric-less music? Talk radio? Podcasts? Can you leave the TV on?

My favorite thing to listen to when I write is piano music by Vladimir Horowitz. The best thing I’ve ever found hidden in a thrift store was a signed record by Horowitz I got for a $1. Pretty sure the store had no idea it was autographed. Best dollar (not on candy) I’ve ever spent.

Lately I’ve been, somewhat appropriately, listening to the new Sherlock Holmes movie soundtrack. Only problem is, it makes me want to dance and get into slow-motion fights more than it makes me want to write.

Q. Do you have a favorite comic writer or prose writer? Who are your influences (in any media)?

My favorite silly book in all the world: WHALES ON STILTS by M. T. Anderson.
My favorite serious book in all the world: FEED by M. T. Anderson.

The fact one writer can have so much versatility, can make me snort with laughter with one book and stay awake staring at the ceiling with dread with another… M. T. Anderson.

Other writing heroes include: Ellen Raskin, Roald Dahl, Bill Watterson, Libba Bray, Laurie Keller, and Scott Westerfeld.

Outside the world of writers I’m very influenced by comedians: early Steve Martin, Gilda Radner, Mel Brooks, those Python boys, Phyllis Diller, Madeline Kahn, and Eugene Mirman.

Biggest influence, though, is my family. No one can make me laugh harder than they can. Because of them I know what a whole lot of beverages feel like coming out of my nose. Thanks, Mom and Dad and Kath (I should clear her name and say she may not have liked writing essays, but she grew up to be a math genius).

Q. Which college did you go to, and what was your major?

I went to tiny Wagner College on Staten Island. I was a double major: Studio Art and English with an accidental minor of Gender Studies because I guess I took too many courses with “Women in dot dot dot” as part of the title. I loved my school and graduated first nerd in my class. One day I hope to have enough money to buy them something large and gaudy that will make all of the student stop and say, “She spent her money on THAT?”

Hmmmm. How expensive are giant 60-foot glass tigers, again?

Q. What is the next convention you plan to go to?

March 5 I’ll be at STAPLE! in Austin, Texas—my favorite small press show and an excuse to eat a lot of southern fried foods. Pretty much heaven, but with more comic books.

The GU Blog… written, scribbled, drawn, and tweeted by GU's editorial director and stalwart editorial assistant.

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